I didn’t plan to become a photographer. It just happened—naturally, quietly, like something that had always been there.

I began with photojournalism and slowly found myself drawn toward the subtler spaces: children, families, portraits. The soft, unspoken moments. A glance. A shadow. A silence caught in light.

For me, a good photo is never about the perfect pose—it’s about presence. It’s about being there, truly.

Every shoot starts with a conversation. We choose the location together. I listen more than I direct. There’s a rhythm to every person, and my job is to find it—then hold it still, just long enough to become a photograph.

This work is part technique, part trust. But mostly, it’s about seeing. Really seeing.